MIXTURE (n.)

MÉLANGE (fra.) · MENGING (nld.) · MENGSEL (nld.) · MESCOLANZA (ita.) · MISCHUNG (deu.) · MISCULANZ (deu.) · ONTWORDING (nld.) · TEMPERANTIE (nld.) · TEMPERING (nld.) · VERMENGING (nld.) · VERMISCHUNG (deu.)
TERM USED AS TRANSLATIONS IN QUOTATION
MÉLANGE (fra.) · VERMENGING (nld.)

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LINKED QUOTATIONS

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3 quotations

Quotation

Chap. XXIII, The Etymologie and true mixture of colours.
Of Blacke. [...] Of White. [...] Of Yellow. [...] Of Greene [...] Of Blew. [...] Of Red.

Conceptual field(s)

MATERIALITE DE L’ŒUVRE → couleurs

Quotation

Painting may be performed either with water colours, or with oyle colours.
First I will speake of water colours, wherein I shall observe two things.
First, the diversitie of colours, and preparations. Secondly, their mixture, and manner of laying them on the ground.
First of the first, the diversitie of colours and their preparation.
Colours are either simple or compounded, meerely tinctures of vegetables, or substances of minerals, or both : the simple colours are such as of themselves, being tempered with the water or oyle, doe give a colour. The compounded are such, whose ingredients do exceed the number of one. Vegetables are rootes, juces, berries, and such like things as grow out of the earth. Minerals are such as are dig’d out of the earth, as earth, and stones, &c. All which follow in order, as well their preparations, as description. First note that every colour to be ground, ought first to be ground with the gall of a neat : then let them dry of themselves in a cold place, afterwards grinde them with gumme water for your use.
Now I am to come to the second thing observable (to wit) the mixture and laying the colours on the grounds, which is thus: your colours prepared for use, ought to be tempered according unto direction, still observing a meane : and to that end, mixe them by little and little, till the colour please you ; first you must lay on the ground colour, and let it dry throughly : then with a small pensill, pricke on the second colour, else it will be apt to run abroad, nor can you worke it so well, to make it seeme lively, as you may by pricking it one, specially in small peeces. 

Conceptual field(s)

MATERIALITE DE L’ŒUVRE → couleurs
CONCEPTION DE LA PEINTURE → couleur

Quotation

Friend,
            Wherein particularly lies the Art of
Colouring ?
            Traveller.
Beside the Mixture of Colours, such as may answer the Painter’s Aim, it lies in a certain Contention, as I may call it, between the Light and the Shades, which by the means of Colours, are brought to Unite with each other ; and so to give that Roundness to the Figures, which the Italians call Relievo, and for which we have no other Name : In this, if the Shadows are too strong, the Piece is harsh and hard, if too weak, and there be too much Light, ’tis flat.

Conceptual field(s)

CONCEPTION DE LA PEINTURE → couleur