HANDLING (n.)

AUSFÜHRUNG (deu.) · AUSÜBUNG (deu.) · BEHANDLUNG (deu.) · BEWERKSTELLIGUNG (deu.) · FAIRE (fra.) · FÜHRUNG (deu.) · GEBRAUCH (deu.) · HANDELING (nld.) · HANDGRIFF (deu.) · HANDHABEN (deu.) · MANIEMENT (fra.) · TRACTIERUNG (deu.) · VERRICHTUNG (deu.)
TERM USED AS TRANSLATIONS IN QUOTATION
HANDELING (nld.)
TERM USED IN EARLY TRANSLATIONS
MANIEMENT (fra.)
BLANC, Jan, Peindre et penser la peinture au XVIIe siècle : la théorie de l'art de Samuel van Hoogstraten, Berne, Peter Lang, 2008.
DELAPLANCHE, Jérôme, Un tableau n'est pas qu'une image : la reconnaissance de la matière de la peinture en France au XVIIIe siècle, Rennes, Presses universitaires de Rennes, 2016.
GIBSON-WOOD, Carol, Jonathan Richardson: Art Theorist of the English Enlightenment, New Haven - London, Yale University Press, 2000.
HECK, Michèle-Caroline, Théorie et pratique de la peinture : Sandrart et la “Teutsche Academie”, Paris, Éd. de la Maison des sciences de l’homme, 2006.
HECK, Michèle-Caroline, « FAIRE / BEAU-FAIRE // PEINDRE / BIEN-PEINDRE », dans HECK, Michèle-Caroline (éd.), LexArt. Les mots de la peinture (France, Allemagne, Angleterre, Pays-Bas, 1600-1750) [édition anglaise, 2018], Montpellier, Presses Universitaires de la Méditerranée, 2018, p. 215-221.

FILTERS

CONCEPTUAL FIELDS

LINKED QUOTATIONS

2 sources
2 quotations

Quotation

The Kind of Picture, or Drawing having been consider’d, regard is to be had to the Parts of Painting ; we should see in which of These they excell, and in what Degree.
And these several Parts do not Equally contribute to the Ends of Painting : but (I think) ought to stand in this Order.

Grace and Greatness,
Invention,
Expression,
Composition,
Colouring,
Drawing,
Handling.


The last can only Please ; The next (by which I understand Pure Nature, for the Great, and Gentile Style of Drawing falls into another Part) This also can only Please, Colouring Pleases more ; Composition Pleases at least as much as Colouring, and moreover helps to Instruct, as it makes those Parts that do so more conspicuous ; Expression Pleases, and Instructs Greatly ; the Invention does both in a higher Degree, and Grace, and Greatness above all. Nor is it peculiar to That Story, Fable, or whatever the Subject is, but in General raises our Idea of the Species, gives a most Delightful, Vertuous Pride, and kindles in Noble Minds an Ambition to act up to That Dignity Thus conceived to be in Humane Nature. In the Former Parts the Eye is employ’d, in the Other the Understanding.

term translated by MANIEMENT in RICHARDSON, Jonathan, Traité de la Peinture, Par Mr. Richardson, le Père, Tomes I. et II. Contenant, Tome I. Un Essai sur la Théorie de la Peinture ; Tome II. Un Essai sur l'art de critiquer, en fait de Peinture ; & un Discours sur la Sience d'un Connoisseur. Traduit de l'Anglois; Revu & Corrigé par l'Auteur., trad. par RUTGERS, Antoine, Amsterdam, Herman Uytwerf, 1728, 2 vol., vol. I., p. 24-26.

Conceptual field(s)

SPECTATEUR → perception et regard
PEINTURE, TABLEAU, IMAGE → définition de la peinture
MANIÈRE ET STYLE → le faire et la main

Quotation

HANDLING
BY this Term is understood the manner in which the Colours are left by the Pencil upon the Picture ; as the manner of using the Pen, Chalk, or Pencil in a Drawing is the Handling of that Drawing.
This consider’d in it self abstractedly is only a piece of Mechanicks, and is Well, or Ill as ‘tis perform’d with a Curious, Expert ; or Heavy, Clumsey Hand ; and that whether ‘tis Smooth, or Rough, or however ‘tis done ; for all the Manners of Working the Pencil may be Well or Ill in their kind ; and a fine light Hand is seen as much in a Rough, as in a Smooth manner.

manner

term translated by MANIEMENT in RICHARDSON, Jonathan, Traité de la Peinture, Par Mr. Richardson, le Père, Tomes I. et II. Contenant, Tome I. Un Essai sur la Théorie de la Peinture ; Tome II. Un Essai sur l'art de critiquer, en fait de Peinture ; & un Discours sur la Sience d'un Connoisseur. Traduit de l'Anglois; Revu & Corrigé par l'Auteur., trad. par RUTGERS, Antoine, Amsterdam, Herman Uytwerf, 1728, 2 vol., vol. I., p. 131-132.

Conceptual field(s)

MANIÈRE ET STYLE → le faire et la main