GELLIUS, Aulus ( v. 130 ap. J.-C.-v. 180 ap. J.-C. )
Auteur de l'Antiquité romaine
Quotation
Wat het woord Analogie belanght, eenighe hebben ’t woord analogie, seght A. Gellius {Noct. Attic. Lib. ii. Cap.24.}, in ’t Latijn Proportie ghenaemt. Soo schijnt oock den gheleerden Quintilianus de selvighe benaeminghe niet quaed te vinden; die ’t woord Analogie nu onlanghs uyt het Griecksch in ’t Latijn hebben overgeset, seght hy {Lib. L. orat. instit. Cap.6.}, noemen ’t een Proportie. (...) Ten eynde dan dat wy ons selven niet al te langhe met een al te sinnelicke oversettinghe van dese dry woorden souden bekommeren, soo sullen wy ’t hier by laeten blijven, dit maer alleenlick daer by voeghende, dat de Schilder-konstenaers dese woorden Analogie ende Harmonie schijnen ontleent te hebben van die Proportie dewelcke by de Tel-konstenaers en de Singh-konstenaers wordt waerghenomen; want dese Analogie ofte Proportie en is anders niet dan een sekere ghetal-wet, nae welckers voorschrift de Konstenaers alle haere wercken aenstellen.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
Wat het woord Analogie belanght, eenighe hebben ’t woord analogie, seght A. Gellius {Noct. Attic. Lib. ii. Cap.24.}, in ’t Latijn Proportie ghenaemt. Soo schijnt oock den gheleerden Quintilianus de selvighe benaeminghe niet quaed te vinden; die ’t woord Analogie nu onlanghs uyt het Griecksch in ’t Latijn hebben overgeset, seght hy {Lib. L. orat. instit. Cap.6.}, noemen ’t een Proportie. (...) Ten eynde dan dat wy ons selven niet al te langhe met een al te sinnelicke oversettinghe van dese dry woorden souden bekommeren, soo sullen wy ’t hier by laeten blijven, dit maer alleenlick daer by voeghende, dat de Schilder-konstenaers dese woorden Analogie ende Harmonie schijnen ontleent te hebben van die Proportie dewelcke by de Tel-konstenaers en de Singh-konstenaers wordt waerghenomen; want dese Analogie ofte Proportie en is anders niet dan een sekere ghetal-wet, nae welckers voorschrift de Konstenaers alle haere wercken aenstellen.
Quotation
T: […] Hierom behooren wy niet al te voortvaarende in onze loffelyke oeffening te weezen, en ons niet laaten vervoeren, om straks het einde daar van te zien; Maar wy moeten bedacht, voorzichtig, en te gelyk bezorgt zyn, alzo dat de Naarstigheid, met de rypigheid vermengt zynde, gesteld worde tusschen traagheid en rassigheid: Waar uit dan een prysselyke Naarstigheid voortkomt. Daarom zegt Aulus Gellius zeer wel, om een Zaak wel uit te voeren, moet by de snelle naarstigheid, de traage vlytigheid gevoegt worden.
Quotation
Wat het woord Analogie belanght, eenighe hebben ’t woord analogie, seght A. Gellius {Noct. Attic. Lib. ii. Cap.24.}, in ’t Latijn Proportie ghenaemt. Soo schijnt oock den gheleerden Quintilianus de selvighe benaeminghe niet quaed te vinden; die ’t woord Analogie nu onlanghs uyt het Griecksch in ’t Latijn hebben overgeset, seght hy {Lib. L. orat. instit. Cap.6.}, noemen ’t een Proportie. (...) Ten eynde dan dat wy ons selven niet al te langhe met een al te sinnelicke oversettinghe van dese dry woorden souden bekommeren, soo sullen wy ’t hier by laeten blijven, dit maer alleenlick daer by voeghende, dat de Schilder-konstenaers dese woorden Analogie ende Harmonie schijnen ontleent te hebben van die Proportie dewelcke by de Tel-konstenaers en de Singh-konstenaers wordt waerghenomen; want dese Analogie ofte Proportie en is anders niet dan een sekere ghetal-wet, nae welckers voorschrift de Konstenaers alle haere wercken aenstellen.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
Wat het woord Analogie belanght, eenighe hebben ’t woord analogie, seght A. Gellius {Noct. Attic. Lib. ii. Cap.24.}, in ’t Latijn Proportie ghenaemt. Soo schijnt oock den gheleerden Quintilianus de selvighe benaeminghe niet quaed te vinden; die ’t woord Analogie nu onlanghs uyt het Griecksch in ’t Latijn hebben overgeset, seght hy {Lib. L. orat. instit. Cap.6.}, noemen ’t een Proportie. (...) Ten eynde dan dat wy ons selven niet al te langhe met een al te sinnelicke oversettinghe van dese dry woorden souden bekommeren, soo sullen wy ’t hier by laeten blijven, dit maer alleenlick daer by voeghende, dat de Schilder-konstenaers dese woorden Analogie ende Harmonie schijnen ontleent te hebben van die Proportie dewelcke by de Tel-konstenaers en de Singh-konstenaers wordt waerghenomen; want dese Analogie ofte Proportie en is anders niet dan een sekere ghetal-wet, nae welckers voorschrift de Konstenaers alle haere wercken aenstellen.
Quotation
An Exposition of Colours.
Abram colour, i.e. brown
Auburne or Abborne, i.e. brown or brown-black.
Cole black.
Sable black.
Velvet black.
Pitchy black.
Blanket colour, i. e. a light watchet.
Venice blew, i. e. a light blew.
Lincolne blew.
Coventry blew.
A Prince blew.
Crimson, i. e. Scarlet.
Cumatical colour, i. e. blew.
Flesh colour, a certain mixture of red white.
Gangran colour, i. e. divers colours together, as in a Mallards, or Pigeons neck.
Sabell colour, i. e. flame colour.
Incardine, or flesh colour.
Peacocke colour, i. e. changeable blew, or red blew.
Patise, or a kinde of red or Arsenick colour.
Plumbet colour, i. e. like little Speks of gray clouds in a fair day.
Puke colour, i. e. between russet and black.
Purpurine, or Purple colour ; of which read Matth. 27.2. A colour much used heretofore, by the Tyrians ; but now it is not to be had.
Ried colour, or Diversified.
Scarlet, i. e. crimson, or stammel.
Shammy colour, a smoakie, or rain colour, which is a kind of yellow ; as you may see upon whited walls or in a Chymny.
Stammel, i. e. Scarlet, as before.
Lyon Tawny.
Turkie colour, i. e. Venice blew, or as others will have it, red.
Milke white.
Paper white.
Snow white.
Bastard yellow.
Bright yellow.
Dark yellow.
Of the Names of Colours, read more in Aul. Gel. Noct. Attic.
Quotation
T: […] Hierom behooren wy niet al te voortvaarende in onze loffelyke oeffening te weezen, en ons niet laaten vervoeren, om straks het einde daar van te zien; Maar wy moeten bedacht, voorzichtig, en te gelyk bezorgt zyn, alzo dat de Naarstigheid, met de rypigheid vermengt zynde, gesteld worde tusschen traagheid en rassigheid: Waar uit dan een prysselyke Naarstigheid voortkomt. Daarom zegt Aulus Gellius zeer wel, om een Zaak wel uit te voeren, moet by de snelle naarstigheid, de traage vlytigheid gevoegt worden.