ROUGE DE LAQUE (n.)

L’HISTOIRE ET LA FIGUREvêtements et plis
MATERIALITE DE L’ŒUVREcouleurs
LACK (deu.) · LAKE-RED (eng.)
TERM USED IN EARLY TRANSLATIONS
LAKE-RED (eng.)

FILTERS

CONCEPTUAL FIELDS

LINKED QUOTATIONS

1 sources
1 quotations

Quotation

XLVI.
Le Rouge de Carmin se fait comme cette derniere [ndr : la draperie violette avec des jours jaunes, p. 42], c’est à dire que l’on fait les Jours de Massicot, & les Ombres de Carmin, & pour faire perdre les uns dans les autres l’on se sert de Gomme-gutte.

LXVII.
La Rouge de Laque, comme celle de Carmin.

term translated by LAKE-RED in BOUTET, Claude, The Art of Painting in Miniature: Teaching The speedy and perfect Acquisition of that Art without a Master. By Rules so easy, and in a Method so natural as to render this charming Accomplishment universally attainable. Containing I. The Difference between Painting in Miniature, and other Kinds of Painting. II. The Management of Colours in Draperies, Linnen, Lace, Furrs, &c. III. The Method of mixing Colours for Carnations ; for painting of Architecture, or any Building of Stone or Wood ; for Landskips, Terrasses, Water, Ruins, Rocks, &c. IV. The Art of Painting all Sorts of Flowers, with the proper Colours required to represent Nature to the highest Perfection. V. The various Methods of Painting. Translated from the Original French. The Fourth Edition. To which are now added, I. Certain Secrets of one of the greatest Italian Painters for making the finest Colours, Burnished Gold, Shell Gold, &c. II. Some general instructive Lessons for the Art of Drawing. And III. The Usefulness and Benefit of Prints, London, J. Hodges - J. James - T. Cooper, 1739., p. 29.

Conceptual field(s)

MATERIALITE DE L’ŒUVRE → couleurs
L’HISTOIRE ET LA FIGURE → vêtements et plis