1 sources
1 quotations


It must be consider’d they [ndr : les cartons de Raphaël] were made for Patterns for Tapistry, not profess’d Pictures, and painted, not in Oil, but in Distemper : If therefore one sees not the Warmth, and Mellowness, and Delicacy of Colouring which is to be found in Correggio, Titian, or Rubens, it may fairly be imputed in a great measure to these Causes. A Judicious Painter has other Considerations relating to the Colouring when he makes Patters for Tapistry to be heightned with Gold, and Silver, than when he paints a Picture without such View ; nor can a sort of Dryness, and Harshness be avoided in Distemper, upon Paper : Time moreover has apparently chang’d some of the Colours. In a word, the Tout-Ensemble of the Colours is Agreeable, and Noble ; and the Parts of it are in General Extreamly, but not Superlatively Good.



term translated by RUDESSE in RICHARDSON, Jonathan, Traité de la Peinture, Par Mr. Richardson, le Père, Tomes I. et II. Contenant, Tome I. Un Essai sur la Théorie de la Peinture ; Tome II. Un Essai sur l'art de critiquer, en fait de Peinture ; & un Discours sur la Sience d'un Connoisseur. Traduit de l'Anglois; Revu & Corrigé par l'Auteur., trad. par RUTGERS, Antoine, Amsterdam, Herman Uytwerf, 1728, 2 vol., vol. I., p. 130-131.

Conceptual field(s)

EFFET PICTURAL → qualité des couleurs
MANIÈRE ET STYLE → le faire et la main