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1 quotations


I have many times observ’d with a great deal of Pleasure the admirable Composition (besides other Excellencies) of a Fruit-piece of Michelangelo Compadoglio, which I have had many Years. The principal Light is near the Centre (not Exactly there, for those Regularities have an ill effect ;) and the Transition from thence, and from one thing to another, to the Extremities of the Picture all round is very Easy, and Delightful ; in which he has employ’d fine Artifices by Leaves, Twigs, little Touches of Lights striking advantageously, and the like. So that there is not a Stroke in the Picture without its Meaning ; and the whole, tho’ very Bright, and consisting of a great many Parts, has a wonderful Harmony, and Repose.

term translated by TABLEAU DE FRUIT in RICHARDSON, Jonathan, Traité de la Peinture, Par Mr. Richardson, le Père, Tomes I. et II. Contenant, Tome I. Un Essai sur la Théorie de la Peinture ; Tome II. Un Essai sur l'art de critiquer, en fait de Peinture ; & un Discours sur la Sience d'un Connoisseur. Traduit de l'Anglois; Revu & Corrigé par l'Auteur., trad. par RUTGERS, Antoine, Amsterdam, Herman Uytwerf, 1728, 2 vol., vol. I., p. 96-97.

Conceptual field(s)

GENRES PICTURAUX → nature morte
EFFET PICTURAL → qualité de la lumière