SLIGHT

SLIGHT (adj.)

AIRY · FAINT · FLOWING · FLUENT · FREE · LIGHT (ADJ.) · LIGHTSOME · WEAK

VAN DYCK, Antoon et FAITHORNE, William, Francesca Bridges Filia Domini Cavendish bet Dotissa Exoniae Comitissa, 1550 - 1563, 28,6 x 21,2, London, British Museum, P,3.305.

LÉGER (fra.)

TERM USED IN EARLY TRANSLATIONS

FAIBLE (fra.)

VAN DYCK, Antoon

FILTERS

LINKED QUOTATIONS

1 sources

1 quotations

RICHARDSON, Jonathan, Two Discourses. I. An Essay on the whole Art of Criticism as it relates to Painting. Shewing how to judge I. Of the Goodness of a Picture ; II. Of the Hand of the Master ; and III. Whether ‘tis an Original, or a Copy. II. An Argument in behalf of the Science of a Connoisseur ; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson, London, W. Churchill, 1719.

1 quotations

An Essay on the whole art of criticism […] ; Of the Goodness of a Picture, &c., p. 60

Quotation

The Face, and Hands, are a Model for a Pencil in Portrait-Painting [ndr : il s’agit du portrait de la comtesse Dowager of Exeter, par Van Dyck] ; ‘tis not V. Dyck’s first Labour’d Flemish Manner, nor in the least Careless, or Slight ; the Colours are well wrought, and Touch’d in his best Style ;

VAN DYCK, Antoon et FAITHORNE, William, Francesca Bridges Filia Domini Cavendish bet Dotissa Exoniae Comitissa, 1550 - 1563, 28,6 x 21,2, London, British Museum, P,3.305.

VAN DYCK, Antoon

careless

term translated by FAIBLE in RICHARDSON, Jonathan, Traité de la Peinture, Par Mr. Richardson, le Père, Tomes I. et II. Contenant, Tome I. Un Essai sur la Théorie de la Peinture ; Tome II. Un Essai sur l'art de critiquer, en fait de Peinture ; & un Discours sur la Sience d'un Connoisseur. Traduit de l'Anglois; Revu & Corrigé par l'Auteur., trad. par RUTGERS, Antoine, Amsterdam, Herman Uytwerf, 1728, 2 vol., vol. I., p. 32.

Conceptual field(s)

MANIÈRE ET STYLE → le faire et la main