PRONOUNCED

PRONOUNCED (adj.)

FAIRLY SEEN · MARKED · TOUCHED

POUSSIN, Nicolas, Tancrède et Herminie, v. 1634, huile sur toile, 75,5 X 99,7 , Birmingham, The Barber Institute of Fine Arts, No.38.9.

PRONONCÉ (fra.)

TERM USED IN EARLY TRANSLATIONS

PRONONCÉ (fra.)

POUSSIN, Nicolas

FILTERS

LINKED QUOTATIONS

1 sources

1 quotations

RICHARDSON, Jonathan, Two Discourses. I. An Essay on the whole Art of Criticism as it relates to Painting. Shewing how to judge I. Of the Goodness of a Picture ; II. Of the Hand of the Master ; and III. Whether ‘tis an Original, or a Copy. II. An Argument in behalf of the Science of a Connoisseur ; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson, London, W. Churchill, 1719.

1 quotations

An Essay on the whole art of criticism […] ; Of the Goodness of a Picture, &c., p. 88-91

Quotation

The Composition is unexceptionable [ndr : dans Poussin, Tancrède et Herminie] : There are innumerable Instances of Beautiful Contrasts ; [...] The Picture is highly finish’d, even in the parts the most inconsiderable, but in once, or two places there is a little heaviness of Hand ; The Drawing is firmly pronounc’d, and Sometimes, chiefly in the Faces, Hands and Feet ‘tis mark’d more than ordinary with the point of the Pencil.

POUSSIN, Nicolas, Tancrède et Herminie, v. 1634, huile sur toile, 75,5 X 99,7 , Birmingham, The Barber Institute of Fine Arts, No.38.9.

POUSSIN, Nicolas

mark'd

term translated by PRONONCÉ in RICHARDSON, Jonathan, Traité de la Peinture, Par Mr. Richardson, le Père, Tomes I. et II. Contenant, Tome I. Un Essai sur la Théorie de la Peinture ; Tome II. Un Essai sur l'art de critiquer, en fait de Peinture ; & un Discours sur la Sience d'un Connoisseur. Traduit de l'Anglois; Revu & Corrigé par l'Auteur., trad. par RUTGERS, Antoine, Amsterdam, Herman Uytwerf, 1728, 2 vol., vol. I., p. 51-53.

Conceptual field(s)

EFFET PICTURAL → qualité du dessin