TERM USED IN EARLY TRANSLATIONSTOUCHÉ (fra.)
RICHARDSON, Jonathan, Two Discourses. I. An Essay on the whole Art of Criticism as it relates to Painting. Shewing how to judge I. Of the Goodness of a Picture ; II. Of the Hand of the Master ; and III. Whether ‘tis an Original, or a Copy. II. An Argument in behalf of the Science of a Connoisseur ; Wherein is shewn the Dignity, Certainty, Pleasure, and Advantage of it. Both by Mr. Richardson, London, W. Churchill, 1719.1 quotations
The Composition is unexceptionable [ndr : dans Poussin, Tancrède et Herminie] : There are innumerable Instances of Beautiful Contrasts ; [...] The Picture is highly finish’d, even in the parts the most inconsiderable, but in once, or two places there is a little heaviness of Hand ; The Drawing is firmly pronounc’d, and Sometimes, chiefly in the Faces, Hands and Feet ‘tis mark’d more than ordinary with the point of the Pencil.
POUSSIN, Nicolas, Tancrède et Herminie, v. 1634, huile sur toile, 75,5 X 99,7 , Birmingham, The Barber Institute of Fine Arts, No.38.9.