PURITY (n.)
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But in works finish’d to be seen near at Hand, you must apply each Colour properly in its place, sweetning with a light Hand all their Extremitys, without Tormenting or Fretting them, that their Purity may be preserv’d.
[...].
We must have regard to the scituation of Colours, where we must observe to put before the Picture, those which are Naturally the stronger and of the greatest Purity ; that by the Force of their Briskness, we may keep back the Force of them which are Compounded, and which must appear at a distance ; [...].
Conceptual field(s)
EFFET PICTURAL →
qualité des couleurs