HARD

DRY · DULL · HARSH · LABOURED · MELLOW · PLAIN · PLUMP · ROUGH · SMOOTH · SOFT · SOLID · STIFF · SWEET · TENDER
CONCEPTION DE LA PEINTUREdessin
EFFET PICTURALqualité du dessin
DUR (fra.) · HARD (nld.) · HART (deu.) · KANTIG (nld.) · KRELL (deu.)
TERM USED AS TRANSLATIONS IN QUOTATION
DUR (fra.) · HARD (nld.)
TERM USED IN EARLY TRANSLATIONS
RUDE (fra.)

FILTERS

CONCEPTUAL FIELDS

LINKED QUOTATIONS

1 sources
1 quotations

Quotation

But if the Out-Lines are only mark’d, this also is Drawing ; ‘tis giving the true Form of what is pretended to, that is, the Out-Line.
The Drawing in the latter, and most common Sense ;
besides that it must be Just, must be pronounced Boldly, Clearly, and without Ambiguity : Consequently, neither the Out-Lines, nor the Forms of the Lights, and Shadows must be Confus’d, and Uncertain, or Wooly (as Painters call it) upon pretence of Softness ; nor on the other hand may they be Sharp, Hard, or Dry ; for either of these are Extreams ; Nature lies between them.

term translated by RUDE in RICHARDSON, Jonathan, Traité de la Peinture, Par Mr. Richardson, le Père, Tomes I. et II. Contenant, Tome I. Un Essai sur la Théorie de la Peinture ; Tome II. Un Essai sur l'art de critiquer, en fait de Peinture ; & un Discours sur la Sience d'un Connoisseur. Traduit de l'Anglois; Revu & Corrigé par l'Auteur., trad. par RUTGERS, Antoine, Amsterdam, Herman Uytwerf, 1728, 2 vol., vol. I., p. 115-116.

Conceptual field(s)

CONCEPTION DE LA PEINTURE → dessin
EFFET PICTURAL → qualité du dessin