AUDRAN, Gérard, [Mirmille mourant], estampe, dans AUDRAN, Gérard, Les Proportions du corps humain mesurées sur les plus belles figures de l'Antiquité, Paris, Girard Audran, 1683, p. 23.
AUDRAN, Gérard, [Ouvrage égyptien], estampe, dans AUDRAN, Gérard, Les Proportions du corps humain mesurées sur les plus belles figures de l'Antiquité, Paris, Girard Audran, 1683, p. 10.
AUDRAN, Gérard, [Parties de visage 1], estampe, dans AUDRAN, Gérard, Les Proportions du corps humain mesurées sur les plus belles figures de l'Antiquité, Paris, Girard Audran, 1683, p. 27.
AUDRAN, Gérard, [Parties du visage 2], estampe, dans AUDRAN, Gérard, Les Proportions du corps humain mesurées sur les plus belles figures de l'Antiquité, Paris, Girard Audran, 1683, p. 28.
AUDRAN, Gérard, [Pyrasme au jardin Ludovisi 1], estampe, dans AUDRAN, Gérard, Les Proportions du corps humain mesurées sur les plus belles figures de l'Antiquité, Paris, Girard Audran, 1683, p. 8.
AUDRAN, Gérard, [Pyrasme au jardin Ludovisi 2], estampe, dans AUDRAN, Gérard, Les Proportions du corps humain mesurées sur les plus belles figures de l'Antiquité, Paris, Girard Audran, 1683, p. 9.
AUDRAN, Gérard, [Vénus Médicis de dos et profil gauche], estampe, dans AUDRAN, Gérard, Les Proportions du corps humain mesurées sur les plus belles figures de l'Antiquité, Paris, Girard Audran, 1683, p. 16.
AUDRAN, Gérard, [Vénus de Médicis de face et profil droit], estampe, dans AUDRAN, Gérard, Les Proportions du corps humain mesurées sur les plus belles figures de l'Antiquité, Paris, Girard Audran, 1683, p. 15.
AUDRAN, Gérard, [Étude de têtes 1], estampe, dans AUDRAN, Gérard, Les Proportions du corps humain mesurées sur les plus belles figures de l'Antiquité, Paris, Girard Audran, 1683, p. 29.
AUDRAN, Gérard, [Étude de têtes 2], estampe, dans AUDRAN, Gérard, Les Proportions du corps humain mesurées sur les plus belles figures de l'Antiquité, Paris, Girard Audran, 1683, p. 30.
AVED, Joseph, Portrait de Joseph Prosper Jolyot de Crebillon, 1746, huile sur toile, 140 x 109, Moscou, Musée des Beaux-Arts Pouchkine, Ж-3779.
BASSANO, Jacopo, Le Retour de l'enfant Prodigue, s.d., huile sur toile, 100 x 122,6, Gironde, Libourne, Inv. D.2004.1.65.
BASSANO, Jacopo, Le bon Samaritain, v. 1562 - v. 1563, huile sur toile, 102,1 x 79,7, London, National Gallery, NG 277.
BATE, John, [Mains et pieds], estampe, dans BATE, John, The Mysteryes of Nature and Art : Conteined in foure severall Tretises, The first of water workes The second of Fyer workes. The third of Drawing, Colouring, Painting, and Engraving. The fourth of divers Experiments as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Pratice, and Invention, London, Ralph Mab - Thomas Harper, 1634, p. 116.
BATE, John, [Proportions d'un cheval 1], estampe, dans BATE, John, The Mysteryes of Nature and Art : Conteined in foure severall Tretises, The first of water workes The second of Fyer workes. The third of Drawing, Colouring, Painting, and Engraving. The fourth of divers Experiments as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Pratice, and Invention, London, Ralph Mab - Thomas Harper, 1634, p. 119.
BATE, John, [Proportions d'un cheval 2], estampe, dans BATE, John, The Mysteryes of Nature and Art : Conteined in foure severall Tretises, The first of water workes The second of Fyer workes. The third of Drawing, Colouring, Painting, and Engraving. The fourth of divers Experiments as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Pratice, and Invention, London, Ralph Mab - Thomas Harper, 1634, p. 120.
BATE, John, [Proportions d'un enfant], estampe, dans BATE, John, The Mysteryes of Nature and Art : Conteined in foure severall Tretises, The first of water workes The second of Fyer workes. The third of Drawing, Colouring, Painting, and Engraving. The fourth of divers Experiments as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Pratice, and Invention, London, Ralph Mab - Thomas Harper, 1634, p. 115.
BATE, John, [Proportions d'un homme], estampe, dans BATE, John, The Mysteryes of Nature and Art : Conteined in foure severall Tretises, The first of water workes The second of Fyer workes. The third of Drawing, Colouring, Painting, and Engraving. The fourth of divers Experiments as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Pratice, and Invention, London, Ralph Mab - Thomas Harper, 1634, p. 113.
BATE, John, [Proportions d'une femme], estampe, dans BATE, John, The Mysteryes of Nature and Art : Conteined in foure severall Tretises, The first of water workes The second of Fyer workes. The third of Drawing, Colouring, Painting, and Engraving. The fourth of divers Experiments as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Pratice, and Invention, London, Ralph Mab - Thomas Harper, 1634, p. 114.
BATE, John, [Têtes d'homme et de femme], estampe, dans BATE, John, The Mysteryes of Nature and Art : Conteined in foure severall Tretises, The first of water workes The second of Fyer workes. The third of Drawing, Colouring, Painting, and Engraving. The fourth of divers Experiments as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Pratice, and Invention, London, Ralph Mab - Thomas Harper, 1634, p. 117.